Tags: Alice In Chains, Audio, Concert, Dodge Theatre, Lighting, projection, Rock, Sound, Visual
I’m happy to report that rock ‘n’ roll as we know it is still alive and kicking ass.
Warm up act Creature With the Atom Brain sounded pretty tight with a solid back beat. However, the guitars and melodies were probably more suitable for an all day festival where you could really get into a nice groove a la Deep Purple. Their stage set consisted of nothing but a big black curtain behind them and 8 moving lights in the front which were limited to color and iris changes. But hey, as an opener even being allowed iris changes isn’t always guaranteed.
As their set ended a big white drape came down in front so the set change could happen in privacy. Turned out that it really wasn’t just a privacy screen. Alice In Chains used it to project their shadows on as they opened their show. Definitely caught me off guard, and looked really damn cool.
That shadow screen dropped to reveal what we called a rock concert back in the day. With Sean Kinney pounding the skins and Mike Inez on bass; an incredibly tight, awesomely loud vibe filled the room at Dodge. I’m sure that had a lot to do with the fact the pit chairs were removed for Standing Room Only GA Pit admission. Something we almost never see anymore.
Jerry Cantrell’s definitive guitar sound and new vocalist William Duvall let us know immediately that Alice In Chains is back in full force. That was a big relief, as I’m sure many of my fellow concert-goers were unsure that AIC could rock like they did before the loss of frontman Layne Staley in 2002.
Opening with old, familiar tunes brought even the seated crowd to their feet, where they stayed all show. Familiar material dominated the first half of the show before they threw in new material from Black Gives Way to Blue at us. even though the new stuff was unfamiliar to me I can tell you it kicks ass. William has a great voice for rock in roll, though he did let us know he was “sick as a fucken dog”. That definitely accounts for his voice tiring a bit near the end.
Like I said above, this was definitely a rock concert. Moving lights were the order of the day. Looked like perhaps a mix of Vari-lites and some cool new stuff from High End Sytems including three DL-3 projectors and some fancy LED automated wash luminaires. I’ll have to see if Mike Baldassari can give me specifics. Update: Mike did get me some specifics. I was wrong on the Vari-lites. The majority of the movers used were actually Martin MAC 700’s. I knew something was different about their shape, but I didn’t grab any pictures – sometimes its hard to guess make/model numbers by memory.
Those DL-3’s are ultra-cool little units. They look like a standard moving light, but they pack some secret weapons. Namely, the ability to project and shoot full motion video. That means they can film the band and project them on any surface they can reach. They’re bright, so they can reach just about anything in the theatre, too.
Concert audio was supplied by the standard Dodge line array system (not sure of manufacturer – EAW perhaps? I’ll have to ask the guys next time) which, for the most part, sounded great because of all the standing people really tightening up the bass. It had some fleeting moments where the high mids broke up slightly and I’m starting to wonder if perhaps my “usual seats” might be a “weird spot” for those frequencies in particular, or if the system could use just a tad more headroom (insert standard soundman joke here).
All in all it was another great concert at Dodge Theatre. As usual, we took the light rail down there and I definitely encourage you to do the same as its very convenient and costs less than parking in the garages!