Tags: Arizona, Concert, Dodge Theatre, Jazz, Phoenix, Review, Solo, Trumpet
Sound the horns, err…horn…there was a jazz soloist at Dodge Theatre. A trumpet soloist of all things. Yeah, I know – it sounds as crazy as a cello soloist or a guy that plays vibraphone taking center stage for an entire show. Oddly, these things all have something in common. Musicianship.
Soloists like this have come to terms with the fact that these instruments aren’t solo instruments, traditionally. However, if you can establish a rapport with an audience upfront then you can entice them to listen to what you have to say whilst saying it through whatever instrument you choose.
In the case of Chris Botti, that instrument is a trumpet and when Chris plays the audience listens. Then they applaud. Sometimes they yell funny things and Chris speaks back to them. His performance seemed more like sharing music with an audience than performing it in front of them. That’s jazz for ya.
Chris is a good entertainer. In addition to the great music, he tells back-stories for songs which immediately engages you on a personal level. He also seemed to be a genuinely nice guy. Nice enough that since there were a few open seats right up front he had his crew round up some young musicians that were seated in the back of the venue and escort them to prime viewing and listening area so that they could experience music up close and personal, rather than via the internet. That’s cool. Jazz guys are like that…nice and cool.
Now, I don’t claim to be a jazz aficionado, in fact I don’t even know if jazz listeners like the word aficionado…but this guy is good. His band consisted of Billy Childs (piano), Billy Kilson (drums), Mark Whitfield (guitar), Tim Lefebvre (bass), and Geoffrey Keezer (keyboards). They were all spot on. The guest vocalist Sy Smith, aka @syberspace on twitter, and violinist Caroline Campbell were awesome. The sound man understood the nuances and dynamic range of the band he was dealing with and had the sound dialed in very nicely. The light show was nonexistent, which is par for the course at a jazz show, so no qualms there. However, the follow spot person needs some practice.
Aficionado or not, when I get a chance to see a soloist perform, I definitely check it out. No matter what the instrument, you can bet that if someone is backing a nationwide tour that there is probably a good reason. That reason is almost always great music without any frills. You can never go wrong with great music.