Tags: Burlesque, Eddie Jackson, Fun, Geoff Tate, Girls, Michael Whip Wilton, Miranda Tate, Orpheum Theatre, Parker Lundgren, Phoenix, Queensryche, Scott Rockenfield, Susan Tate, Vaudeville
What do you do when you are a multi-platinum metal band that’s been around since the hair metal days, but you aren’t a hair metal band? If you ask the members of Queensrÿche, I think they would say this: “Diversify and have fun doing it”.
In this case, that means things like start your own wine label a la Geoff Tate, or delve into creating your own craft beer as Michael “Whip” Wilton has done. It also might mean hiring your son-in-law to play guitar in your band, or have your wife, daughter, and some friends join the burlesque frivolities on stage for a limited engagement tour.
Yes, burlesque. That’s what the Queensrÿche Cabaret tour is all about. Adults only fun. Hard hitting rock ‘n’ roll and scantily-clad, but fashionably attired, ladies performing theatrical skits and aerial artistry. Throw in some jugglers and a couple of Vaudevillian performers to fill time between costume changes and you have the makings of a good show.
Not your normal metal show, for sure. No moving lights, no fancy projections, no pyrotechnics, no haze generators or smoke spewing here. Think fancy curtains and color washes. This is old-school entertainment boys and girls. People. Artists. Interacting with one another without a semi-trailer worth of fancy electronics. What a concept.
Of course, the band was as tight as ever. Not many bands can sound “so studio” live as Queensrÿche always manages to do. Hell, at one point Parker Lundgren had to deal with a malfunctioning guitar strap at least four times during one song. He managed well, only missing a couple of notes.
The set list wasn’t your usual ‘Rÿche, for sure. Yes, they played the hits. They played a couple new things obviously written for this new mini rock opera. They also managed to finesse some of those familiar “filler” tracks right into the story line.
Rock operas and concept albums are cool. Time has proven that. Some times you get lucky in life and get a chance to see Roger Waters do “The Wall” live. Sometimes, you get to see ‘Rÿche perform a cool little cabaret show in a beautiful theater from the ’20s complete with fancy red curtains and gold trim. Either way, you are enjoying music as it was meant to be…live and engaging. You should pull out the earbuds more often, and do just that.
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