Tags: Alice In Chains, Audio, Concert, Dodge Theatre, Lighting, projection, Rock, Sound, Visual
I’m happy to report that rock ‘n’ roll as we know it is still alive and kicking ass.
Warm up act Creature With the Atom Brain sounded pretty tight with a solid back beat. However, the guitars and melodies were probably more suitable for an all day festival where you could really get into a nice groove a la Deep Purple. Their stage set consisted of nothing but a big black curtain behind them and 8 moving lights in the front which were limited to color and iris changes. But hey, as an opener even being allowed iris changes isn’t always guaranteed.
As their set ended a big white drape came down in front so the set change could happen in privacy. Turned out that it really wasn’t just a privacy screen. Alice In Chains used it to project their shadows on as they opened their show. Definitely caught me off guard, and looked really damn cool.
That shadow screen dropped to reveal what we called a rock concert back in the day. With Sean Kinney pounding the skins and Mike Inez on bass; an incredibly tight, awesomely loud vibe filled the room at Dodge. I’m sure that had a lot to do with the fact the pit chairs were removed for Standing Room Only GA Pit admission. Something we almost never see anymore.
Jerry Cantrell’s definitive guitar sound and new vocalist William Duvall let us know immediately that Alice In Chains is back in full force. That was a big relief, as I’m sure many of my fellow concert-goers were unsure that AIC could rock like they did before the loss of frontman Layne Staley in 2002.
Opening with old, familiar tunes brought even the seated crowd to their feet, where they stayed all show. Familiar material dominated the first half of the show before they threw in new material from Black Gives Way to Blue at us. even though the new stuff was unfamiliar to me I can tell you it kicks ass. William has a great voice for rock in roll, though he did let us know he was “sick as a fucken dog”. That definitely accounts for his voice tiring a bit near the end.
Like I said above, this was definitely a rock concert. Moving lights were the order of the day. Looked like perhaps a mix of Vari-lites and some cool new stuff from High End Sytems including three DL-3 projectors and some fancy LED automated wash luminaires. I’ll have to see if Mike Baldassari can give me specifics. Update: Mike did get me some specifics. I was wrong on the Vari-lites. The majority of the movers used were actually Martin MAC 700’s. I knew something was different about their shape, but I didn’t grab any pictures – sometimes its hard to guess make/model numbers by memory.
Those DL-3’s are ultra-cool little units. They look like a standard moving light, but they pack some secret weapons. Namely, the ability to project and shoot full motion video. That means they can film the band and project them on any surface they can reach. They’re bright, so they can reach just about anything in the theatre, too.
Concert audio was supplied by the standard Dodge line array system (not sure of manufacturer – EAW perhaps? I’ll have to ask the guys next time) which, for the most part, sounded great because of all the standing people really tightening up the bass. It had some fleeting moments where the high mids broke up slightly and I’m starting to wonder if perhaps my “usual seats” might be a “weird spot” for those frequencies in particular, or if the system could use just a tad more headroom (insert standard soundman joke here).
All in all it was another great concert at Dodge Theatre. As usual, we took the light rail down there and I definitely encourage you to do the same as its very convenient and costs less than parking in the garages!
~~I’m throwing some photos up on the photo page but be aware that Dodge has a policy against ultra-zoom cams so these are done with a tiny pocket cam~~
Tags: Filter, Gmail, Google Buzz, Inbox
Are you testing out Google Buzz and it is driving you crazy by tossing stuff into your Gmail inbox every time you do anything on a social network?
Fear not. It’s easy to filter Buzz out of your inbox! Just go to your Gmail Settings and create a filter like this:
Just type “label:buzz” (without the quotations) into the “Has the words” area. Click the Next Step button. It will give you a warning, just accept that warning – it doesn’t apply here, for some reason.
Now, just put a check mark in the “Skip the Inbox” selection and press the Create Filter button. Like this:
That’s it. You will have created a filter that skips your inbox! Everything will show up when you click Buzz on the left side of the Gmail window, but not in your Gmail Inbox.
You will have a filter that looks like this:
How Do I Just Turn It Off Altogether?
Even easier than creating a filter. Scroll to the bottom of the Gmail page and click the link tht says “turn off buzz”.
Tags: Arizona, Concert, Dodge Theatre, Jazz, Phoenix, Review, Solo, Trumpet
Sound the horns, err…horn…there was a jazz soloist at Dodge Theatre. A trumpet soloist of all things. Yeah, I know – it sounds as crazy as a cello soloist or a guy that plays vibraphone taking center stage for an entire show. Oddly, these things all have something in common. Musicianship.
Soloists like this have come to terms with the fact that these instruments aren’t solo instruments, traditionally. However, if you can establish a rapport with an audience upfront then you can entice them to listen to what you have to say whilst saying it through whatever instrument you choose.
In the case of Chris Botti, that instrument is a trumpet and when Chris plays the audience listens. Then they applaud. Sometimes they yell funny things and Chris speaks back to them. His performance seemed more like sharing music with an audience than performing it in front of them. That’s jazz for ya.
Chris is a good entertainer. In addition to the great music, he tells back-stories for songs which immediately engages you on a personal level. He also seemed to be a genuinely nice guy. Nice enough that since there were a few open seats right up front he had his crew round up some young musicians that were seated in the back of the venue and escort them to prime viewing and listening area so that they could experience music up close and personal, rather than via the internet. That’s cool. Jazz guys are like that…nice and cool.
Now, I don’t claim to be a jazz aficionado, in fact I don’t even know if jazz listeners like the word aficionado…but this guy is good. His band consisted of Billy Childs (piano), Billy Kilson (drums), Mark Whitfield (guitar), Tim Lefebvre (bass), and Geoffrey Keezer (keyboards). They were all spot on. The guest vocalist Sy Smith, aka @syberspace on twitter, and violinist Caroline Campbell were awesome. The sound man understood the nuances and dynamic range of the band he was dealing with and had the sound dialed in very nicely. The light show was nonexistent, which is par for the course at a jazz show, so no qualms there. However, the follow spot person needs some practice.
Aficionado or not, when I get a chance to see a soloist perform, I definitely check it out. No matter what the instrument, you can bet that if someone is backing a nationwide tour that there is probably a good reason. That reason is almost always great music without any frills. You can never go wrong with great music.